Coin tricks and their secrets. Practicing Agility: The Rolling Coin Trick

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In this article, we will learn how to do magic tricks with coins. Learning these tricks depends on your patience. It is necessary to repeat these tricks until automatic. This is the most important thing in performing these magic tricks.

Focus with coin and glass

You will need: a glass, a coin, a handkerchief measuring 50 x 50 cm.

Show the audience a glass of water. Glue a coin to its bottom in advance. But it is not visible if you look at the glass from the side. Hold the glass in your hand, cover it with a handkerchief, then remove the handkerchief. Invite any of the spectators to look into the glass from above, and he will see that a coin has appeared in the glass.

Focus secret.

The coin must be glued to the bottom of the glass in advance. It can be seen through its walls when the glass is empty. When it is filled with water, the coin cannot be seen through the water when viewed from the side of the glass. It is only visible from above.

Focus with coin and talking bottle

You will need: an empty 2-liter plastic bottle, a coin with a diameter of the neck of the bottle.

Put an empty plastic bottle in the freezer. After 5 minutes, remove it and close the bottle neck with a coin, after moistening the coin with water. The coin will bounce, crackle, as if the bottle is talking.

Unusual coin

You will need: a coin, a handkerchief measuring 30 x 30 cm, an assistant.

Put the coin on the table, cover it with a handkerchief, invite the audience to come up and check that the coin should be under the handkerchief. When several spectators make sure of this, take a handkerchief, shift it from hand to hand and show everyone that the coin has disappeared. Say that it is now in the pocket of one of the spectators. Approach him and take out a coin from his pocket.

Focus secret.

The secret of this trick is simple: you need to have an assistant partner. He must sit among the audience. When they come up, to make sure that the coin is under the handkerchief, he should come last and discreetly take it with him.

Focus with coin and handkerchief.

You will need: a coin, a scarf measuring 30-30 cm, an elastic band.

How to make a magic scarf.

To do this, sew two identical scarves together, inside, sew a coin into their center. Coin in a scarf

Ask the audience for a few coins and choose one from a handful. Take a handkerchief out of your pocket, spread it out and place a coin in its center. Turn the handkerchief over, the coin remains under it. Take out a rubber band from your pocket - a ring, put it on a scarf, squeezing it, under a coin. Invite the viewer to substitute his palm and, stretching the handkerchief around the corners, make sure that the elastic comes off the coin. But the viewer's palm will remain empty - the coin did not hit it. It is necessary to pretend that you are taking it, for example, from a table or cabinet, where it seemed to be during the trick.

Focus secret.

When, during the trick, you take a coin from the spectator and turn the handkerchief over, then his coin imperceptibly falls into your hand. A specially sewn-in coin remains in the scarf, and an elastic ring is put on it. You imperceptibly hold the spectator coin in your fingers during the trick and then demonstrate it.

The good news about coin tricks is that you can perform them almost anywhere and you can easily find the props (look behind the couch). You don't need much preparation or explanation, so with a little training you can quickly add some fun mischief to your daily routine. All magicians must have manual dexterity. Practice well and you can show it anytime, anywhere.

2. Fold the bottom edge of the paper over the coin, leaving a six millimeter difference between the two edges of the paper.

3. Fold the right edge of the paper back behind the coin.

4. Bend the left back behind the coin.

5. Make the last fold by wrapping the top back behind the coin. The coin appears to be completely wrapped, but in fact the top edge is still open.

6. You now turn the envelope over so that the open side allows the coin to slip into your palm, where it remains, while you "prove" the disappearance of the coin to the audience by tearing it up.

master of illusion

Even though you need to carry a lot of coins, you don't really use any! Your audience will think that you are tossing a coin from one hand to another, but this is an illusion!

1. Act out the scene by pulling a handful of coins from your pocket - let the audience see that the coins are real. Choose one coin and pretend to take it - you will need to practice this! Put all coins back in your pocket.

2. Toss an imaginary coin back and forth from one hand to the other, making a soft flip as you pretend to catch the coin each time. Practice with a real coin to get a real sound. If you relax your fingers and slap them on the bottom of your palm while "catching" the coin, you should get the right sound.

3. Do this a few times, then stop and pretend to be holding an imaginary coin in one of your hands. Ask the audience to guess how she landed: “Heads or tails?” Of course, when you open your hand, the coin won't be there. This is good, because the audience will think that you have it in your other hand.

4. Slowly open your other hand to show that it also does not contain a coin - and bow to the applause of the audience.

In micromagic (tricks performed at close range), objects that are completely ordinary for everyday life are often used, which are familiar to almost any viewer. By making an ordinary coin levitate and violate the laws of physics, it is easy to stun and puzzle the public. There are several different coin levitation tricks. Many of them are based on sleight of hand, so you will have to take some time to practice to hone your skills. By training your hands from tossing a coin in the air to its disappearance and finally to levitation, you are sure to impress your friends.

Steps

Muscle passes with hands

    Find a magical area in your palm and grab a coin with it. Muscle passes are one of the most impressive displays of manual dexterity, and can also be used to create the appearance of a coin levitating. In order for the trick to be performed to look quite impressive, the muscles of the palm must be sufficiently well developed. The trick itself is performed with the pad of the palm located next to the thumb, it is with its help that the coin is tossed into the air.

    • Open the palm of the main hand and examine it. Note the large tubercle at the base of the thumb. It is he who is considered the magical area of ​​\u200b\u200bthe palm on which you will place the coin.
    • Take a US half dollar coin or other foreign coin about 30 mm in diameter, or a poker chip. In most cases, the Russian five rubles will be too small for a successful performance of the trick.
    • With your other hand, place the coin in your palm. Place your thumb over the coin. Pay attention to how the muscles work and the pad at the base of the thumb behaves, covering the coin. Play around with different positions of the coin until you get a good grip on the pad.
  1. Turn your hand palm down. Holding the coin in the palm of your hand, turn your hand over. See if the coin falls or stays in the hand. Slowly spread your fingers so that the coin falls out.

    Practice jumping the coin out of your hand with muscle passes. It will probably take you more than one week to master this step. Muscle passes with hands are an advanced category of tricks, and practice with them can lead to pain.

    • Place the coin on the magical part of the palm of your hand and press it down. You can press a coin into the palm both with the fingers of the other hand, and with the middle and ring fingers of the same hand. Using the fingers of the same hand that holds the coin makes the whole process more natural.
    • Put your thumb on the coin. It is necessary to move the thumb so that the muscle and the pad at its base grab the coin. Try not to twist your hand too much while doing this. If the fingers of the hand are strongly bent, then the coin will not be able to jump out of the hand, but will simply hit the fingers.
    • Pull your thumb back and down sharply. This movement will subsequently allow you to toss the coin up, causing it to “fly”.
  2. Correct the position of the coin. If you feel that the coin is lacking grip when you withdraw your thumb, adjust its position. It will take you some time to find the most suitable point for placing the coin in the palm of your hand.

    • To master muscle passes with your hands, you need to practice a lot. However, there should be a measure in everything. As soon as the hand begins to hurt or turn red, stop the activity to rest. Don't give up on your workouts and eventually you'll be able to flip a coin up with the flick of your hand.
  3. Execute the trick with a perfect muscular hand pass. To perform a trick based on a skillful hand pass, you will need to show the spectator a coin and explain that it will magically fly up from the lower palm and fly to the upper one.

    • Do not explain to the viewer the technique of performing the trick, otherwise it will have a bad effect on his visual perception. Don't talk about doing muscle passes with your hands. Just say that you are going to make the coin fly up.
    • Place your other hand over the palm with the coin and wiggle your fingers for a special effect.
    • While doing this, check with your middle and ring fingers that the coin is clamped in the right place in the palm of your hand.
    • Say some magic words if you like. Then move your thumb back in a muscle pass.
    • Catch the bouncing coin with your other hand.

    Disappearing, freezing and appearing from the air of an invisible coin

    1. Make the coin "disappear". This trick is not so much about levitation, but about creating the illusion of the disappearance and reappearance of the coin.

    2. Take an invisible coin to make it fly. Here you can explain how in order to levitate a coin, you must first make it invisible so that the extra weight no longer interferes with the flight.

      • Pretend to pick up the coin as if it were actually there. The subsequent stages of the trick will require you to convincingly perform actions with an invisible object.
      • Also note that you will take the invisible coin with the hand that actually contains the coin. Hold a real coin with a finger grip and always position your hand so that the audience cannot see it.
      • Before performing the trick, practice holding a real coin in your hand. Feel the weight of the coin with your hand, pay attention to the position of the fingers, to the movements of the hand.
      • Pretend to pick up an invisible coin in your hand. Remember what this process looked like with a real coin. Do not squeeze your fingers until the very end. Despite the fact that the coin is quite flat, there must be a small gap between the fingers. Also, do not forget about the weight of the coin.
      • Lift the coin into the air and release. Explain that you simply hung an invisible coin in the air where it would hang until you needed it again.
      • Do not forget that all this time the real coin is held by a finger grip. After hanging an invisible coin in the air, tilt the hand holding the coin in such a way as to show the audience an empty palm, but keep the coin itself covered by holding it between your fingers.
    3. Grab the invisible coin. After convincing the audience that an invisible coin is hanging in the air, snatch that coin out of the air with your free hand.

      • Take an invisible coin, paying special attention to the technique of working with an imaginary object with an empty hand.
      • Raise the hand with the real coin to the hand with the imaginary coin.
      • At the same time, hold the coin with a finger grip, tilting the palm so that the audience can see that there is nothing in the palm of your hand.
      • Tell that the coin will appear at any time you want, you just need to make it visible again.
    4. Make the coin appear. When placing an invisible coin in the hand containing the real coin, curl your fingers around the empty hand.

      • As the fist is being formed, let the coin slide out of the finger grip, falling on the index finger of the empty hand in the fist.
      • While the outside hand is still clenched into a fist, pinch the coin between the thumb and forefinger of the inside (previously empty) hand.
      • Now the coin will be in the hand in which you took the invisible coin from the air.
      • Open the outer fist to demonstrate to the viewer that the coin is visible again.

    Levitation of a coin between the palms

    1. Take a large souvenir coin. To perform this trick, you will need a fairly large coin (more than those that are in circulation in the Russian Federation). The coin will levitate in the space between two palms slightly cupped. This trick is difficult to perform at a close distance from the audience, because you will be touching the coin all the time.

      • The size of the coin is very important, as it must be large enough to be easily visible behind the fingers.
      • To perform the trick, take the coin with either hand.
      • Bring your other hand to the coin, now to take it with both hands, turning your thumbs towards you.
    2. Place your fingertips around the perimeter of the coin. Make sure the thumb pads are on the left and right edges of the coin.

      • The thumbs should press on the coin and thereby hold it.
      • The remaining fingers must be slightly bent, and their tips should only lightly touch the front edge of the coin.
      • Remember that only the thumbs should actually hold the coin.
    3. Stretch your arms forward. You can enhance the effect of the illusion - to do this, slightly push your hands forward, and then move them back to the body. Constant movement allows you to distract the audience.

      • Straighten your fingers slowly. Straighten your fingers (except your thumbs) opposite each other. In this case, the fingertips of the left and right hands should be at a distance of about 2.5 cm from each other.
      • Keep your fingers as close to each other as possible. They should provide a kind of screen through which the audience will not see that you are holding the coin with your thumbs.
      • With your fingers straight, begin moving the coin slightly up and down with your thumbs. This will create the effect of a coin floating between the palms.
    4. Practice coin levitation until you completely get rid of clumsy movements. It will take some time for the focus to look as natural as possible.

      • Once you have mastered the actual grip of the coin, start watching your actions through the mirror. Be sure to take into account the angle of view of the audience.
      • Do not forget that the coin should not be very visible. Also practice in the same conditions in which you will perform. If you plan to sit at a table, practice at the table as this will put you noticeably closer to your audience.
      • Try to achieve by practice so easy grasping of the coin between the pads of the thumbs that outwardly it is not even noticeable that you are holding it.
      • See if you can spin the coin so that it doesn't fall to enhance the effect of the illusion. This will take some practice. Remember to cover your thumbs with your other fingers so that they are not visible.
    • If you're using a regular coin, don't stress too much about it. Drawing the attention of the viewer to the fact that the coin is completely ordinary can distract him to thoughts of coins with tricks. Let the audience guess for themselves that the coin is simple by the way you handle it and talk about it.
    • To perform the trick, it is necessary to take into account the angles of view of the audience (different points of view).
    • Spend enough time practicing until you can confidently do magic tricks. Self-confidence and the ability to accompany the performance with a whole story will captivate the audience and introduce distractions into the process that will divert the attention of the audience directly from your hands.
    • Practice in front of a mirror or film yourself to get a better idea of ​​how you will look in public.

Comments 0 15.10.2009

Before embarking on coin tricks, the beginner should learn, by exercise, a few manual tricks that demonstrate dexterity.

The dexterity of the hands and the attentiveness acquired by these exercises, if he diligently puts them into practice, is of great value. It is safe to say that a skilled card conjurer will easily learn any branch of this magical art - the art of trick.

The first thing a beginner must learn is the ability to hide in the palm, that is, to quietly hold an object in an open hand by contracting the palm.

In order to acquire such a skill, take a coin the size of a five-kopeck coin and place it on your open hand (see Fig. 59).

Then close your hand very slowly, and if you put the coin in the right place (which will soon be revealed by your attempts), then it will be held by contraction of the palm around the edges of the coin and you can
completely free to move the brush and hand, without fear of dropping it.

You must remember, when practicing in this regard, that the inside of the palm must be turned either down or towards your torso, as any careless movement may reveal the hidden coin.

When you are able to freely hold a coin in your right hand, do the same exercises with your left hand; after which you can replace the coin with a clock, an egg, or a lemon, as all these items are often used in magic tricks.

Once you have thoroughly learned these first tricks, you can begin to learn different ways to hide a coin in your hand.

All methods have the same goal - to create the appearance of moving an object from one hand to another, although in reality the object remains in the hand that it seemed to have just left.

Since the same movement, if repeated often, can arouse suspicion in the audience, it is useful to have different ways of doing it. For the sake of clarity of their sequence, we will number the described methods.
Reception 1st. Take the coin in your right hand with the second, third and thumb (see Fig. 61) so that these fingers really hold it, and the thumb only supports it. After that, release your thumb and bend the second and third fingers to the palm with a coin balancing on them (see Fig. 62).

If the coin has been properly placed on the fingers, you will see that by this movement you place it in the palm of your hand, just in the place mentioned above as the most convenient.

When you extend your fingers again, the coin remains in your palm, as in fig. 60.

If you have learned to do this easily with the hand at rest, then you must practice the ability to do the same while the right hand is in motion towards the left hand, which should be open until the fingers of the right hand are touch her palm, and it will seem that she encloses a coin, which you seem to have shifted into it with this movement.

After that, the left hand should remain closed, as if holding a coin, and the right hand should be lowered and opened, as if it were empty.

In case an object is larger than a coin, such as a watch or an egg, you should not take it with your fingers, but simply leave it in the palm of your right hand, slightly closing this hand while moving it towards your left.

A greater stretch of the surface in this case will give you the full opportunity to hold it without squeezing it in your palm. Just remember that in any case, both hands should act as harmoniously as when you really transfer something from hand to hand.

Therefore, one should raise the left hand towards the right; but it should not begin its movement earlier than the right one. Once this is done, skillful use of the wand can help to conceal the fact that the item is still in your right hand.

For this purpose, the magician can put it before moving the object under the arm of one or the other hand, as if to free his hands.

Immediately after moving the object, the right hand should, making some backward movement, which in this case will seem quite natural, grab the wand, remove it from under the arm and then hold it until it is necessary to manipulate the coin.

The position of the fingers while holding the wand should be such as to hide the hidden coin, while the hand should appear quite free and natural. The same method can be applied with the same convenience to other methods.

Reception 2nd. It is somewhat lighter than the 1st dose and can, in some cases, replace it. Grab the coin with the index and ring fingers of the right hand by its edges, squeezing the edges of the coin with the side parts of the fingers and supporting it from behind with the second finger (see Fig. 63).
Point your right hand towards your left and at the same time slide your thumb gently over the front of the coin until the top knuckle passes over its outer edge (see fig. 64).

Then bend your thumb and the coin will be well hidden between this joint and the connection between the thumb and the palm (see Fig. 65).

Just as in the previous case, the left hand should close at the moment the right touches it, and the thumb of the right hand should remain slightly bent inward towards the palm so that the coin is not visible to the audience.

This is a very quick way to hide and when skillfully executed, a complete illusion occurs.

Reception 3rd. Hold your left hand palm up with the coin in the position shown in fig. 59. Move your right hand towards your left, make a movement with your fingers as if you were taking a coin, and immediately close your hand.

At the same time, slightly close your left hand so that the palm of your hand grasps the coin, as in fig. 67 and lower it so that it hangs freely along your body.

Reception 4th.(Turnstile). It is sometimes called the "French way". This is a very easy and at the same time very convenient way. Hold your left hand palm up with a coin as in fig. 66.

Move the right hand towards the left, moving the thumb of the right hand under the coin and the rest of the fingers on it, and at the same time close them.

It will appear to the audience that you have grasped the coin with your thumb and other fingers, while in reality you are simply dropping it into the palm of your left hand while it is covered by the fingers of your right hand (see Fig. 68).

Move your right hand back and forth after you take it away from your left hand, following it with your eyes, which will divert the attention of the audience from the other hand.

Don't be in too much of a hurry to lower your left hand, but slightly turn your palm towards you with slightly bent fingers, and after a while, lower it down.

The cavity formed by the bent fingers is large enough to hold the coin. This method is also convenient for smaller coins, because they are difficult to hide quickly by ordinary means. It is also very suitable for ball tricks.

Reception 5th.(Tweezers). This is a modification of the method just described. The coin is held as in fig. 69 thumb, index and middle fingers of the left hand.

Then you make a movement, as if taking it with the same fingers of the other hand, which at the same time, as it were, grabs the coin, being the back side facing the audience.

At this moment, when the coin is covered by the fingers of the right hand, it can carefully slide into the palm of the left, and the right immediately rises, as if enclosing it.

Reception 6th. This method is adapted to the use of three or four coins, since the clinking of one coin against another contributes to the illusion. You take the coins in your right hand, as shown in fig. 70, slightly bent.

Sharply direct the right hand to the left with the fingers forward so that the tips of the fingers of the right hand fall almost at a right angle to the palm of the left hand, and the fingers should be slightly bent.

The coins remain in the cavity formed by the fingers of the right hand, as in fig. 71, instead of being thrown into the left hand (as it seems to the eyes and ears of the audience).

They flip over completely, producing a loud tinkle when the hands come together.

The left hand, of course, is closed, and the thumb of the right hand can gently press the coins so that when the hand is lowered along your torso, they do not make noise and thus do not betray their presence in it.

Reception 7th. This method is best applied to a large coin like a metal ruble. But if the student has a small hand (a very important disadvantage for tricks in general), he can apply this method to another coin.

Take the coin in your right hand with your forefinger, middle and thumb, and while you seem to be moving it to your left hand, gently bring it with the tip of your thumb to the position indicated in fig. 72.

Moreover, it is held by the pressure of the first and fourth fingers on its opposite edges, while the hand remains completely open.

Reception 8th. The peculiarity of this technique is that during the execution of his wand is held in the hand - a case to which all other techniques are inapplicable.

Holding the wand and coin in the right hand, as shown in fig. 73, you firmly press the edge of the coin into the palm of your left hand and instantly squeeze this hand.
As a result of this movement, the coin (pressed only lightly) moves back to the position shown in fig. 74, and in this position, being behind the index, middle and ring fingers, remains completely covered.

Without wasting time, you move the fingers of your left hand out of their previous position and gradually squeeze them, grabbing the coin, since their extended position for a long time may seem suspicious.

But in doing this, one should be careful not to tinkle the coin on the rod, for this sound will certainly attract the attention of others.

It should not be assumed that all the above techniques are used by every magician. Almost every one of them has their favorite trick or tricks.

The beginner must experience by experience which method best suits the arrangement of his hand. We have described these techniques as if they were constantly performed by the same hand.

But if you want to achieve perfection, then you must practice until you learn how to do them both from the left hand to the right, and from the right to the left.

It is advisable to practice in front of a mirror, performing in front of it, firstly, everything that you subsequently intend to perform in front of others, and carefully monitor the position and movement of your hands.

You must learn to act in such a way that the audience does not have any suspicions. You must get used to keeping your eyes constantly on the hand in which, as everyone believes, the object is located.

This is the best means to ensure that the eyes and attention of the spectators also follow the same direction. When you get used to accurately performing these tricks with one coin, you can start practicing with smaller coins, with two, and then with three or four at the same time.

One caveat needs to be made here. These techniques should by no means be considered tricks themselves, but only means for performing tricks.

If the conjurer, as it were, transfers a coin, for example, from his right hand to his left, shows that it has disappeared from his left hand, thus forcing the audience to guess that it has remained in his right hand, then they will, of course, be surprised at the dexterity with which he momentarily averted their eyes.

But in doing so, they will half penetrate the secret of those tricks in which the coin is hidden in the palm of your hand.

If it is necessary to directly reproduce a coin, then the magician must do this, as if finding it in the hair or in the sideburns of some spectator, or in another place convenient for him, while you must first announce in what place it will be found, thus distracting , away from the general attention.

When the coin is already in his hand, he only needs to transfer it to the fingertips of the same hand when he touches it to the named place, as if taking it out from there.

After these instructions relating to the hand in which the coin actually is, a few words should be said about the hand in which there is no coin.

Wherever you place an object, whether in a clenched hand or in an apparatus from which it must subsequently disappear, you must make it a rule not to show that the object has disappeared from there without some preliminary magical action, however small, which may seem like a plausible reason. to such a disappearance.

The most insignificant action is enough - touching with a rod, pronouncing a magical formula like the word "pass", pressing with a finger; but in one form or another this ceremony must never be missed.

So, taking the simplest example, we assume that by technique 1, you put a coin in your left hand, actually leaving it hidden in the palm of your right hand.

If you simply open your left hand and show that the coin is not there, then the audience will, of course, guess the truth, that is, that you did not put the coins there at all.

But if you hesitate a minute or two before you open your hand so that the spectators are accustomed to counting the coin in it, and then, before opening it, mysteriously touch the hand with your wand, or simply, slowly opening your hand, touch wrist with the second and third fingers of the hand holding the coin (see Fig. 75), then, by doing so, not only give the hand an occupation incompatible with hiding anything in it, but convince the audience that this gesture causes the disappearance of the coin .

It is remarkable what effect such deceit has on the judgment of the spectators. And although they know very well that touching the clenched hand with a wand or the finger of the other hand cannot produce the disappearance of the coin, but since it is certain that the coin has disappeared, their mind involuntarily accepts the explanation that you offer.

Before the hand is unclenched, the hand that holds the object has already somehow freed itself from it. In this case, the viewer already loses the opportunity to assume that you are holding the object in the hand in which you originally showed it, because this hand turns out to be empty.

And since the complete disappearance of the coin remains an obvious fact, you can leave the viewer to explain this fact as he pleases.

The various techniques described above serve not only to make an object disappear, but also to secretly replace it with another similar one.

This exchange is constantly used in magic; we may even say that three-fourths of her miracles are based on it. When the substitution is made, the dummy object remains in full view of the spectators, and the conjurer, having secretly obtained the actual object in his possession, disposes of it as the trick requires. We will now describe the various methods of substitution, also designating them with numbers.

Change 1st. Let's say that you want to change the coin marked by the spectators for some other one.

You hide the last one, which we will call “dummy”, “changed”, in the palm of your left hand, trying to make this hand face away from the audience.

Taking the marked coin in your right hand, you hide it in the palm of your hand using technique 1, but instead of pinching your left hand when the fingers of your right touch it, you leave the first casually open and show a fake coin lying on it, which is taken by the public for a real one. just placed there with your right hand.

Substitution 2nd. It differs only in that you do the 2nd reception with your right hand instead of the 1st.

Substitution 3rd. And here you resort to technique 2, but instead of your right hand, you hide a counterfeit coin in your left. Taking the marked coin with the same hand, you do the 2nd technique with it, simultaneously lowering the counterfeit coin from its palm into your left hand.

This is a very elegant and effective substitution. Some conjurers are skillful enough to make this substitution by taking the 1st instead of the 2nd, so that the real coin takes the place of the counterfeit in the palm; but for this purpose more than ordinary dexterity is needed.

Substitution 4th. For this substitution, you must hold the fake coin in the palm of your right hand, and the marked coin between the thumb and second finger of your left.

Then, by means of the 4th technique, you take the coin with your right hand and at the same moment you find the counterfeit, which was already there.

Substitution 5th. Hide the fake coin in the palm of your right hand, and keep the marked coin open in the palm of your left.

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Take the latter with your right hand, while at the same time dropping the counterfeit into your left hand, and the fingers of the left hand should be slightly bent in order to more conveniently hide the falling coin.

Show the marked coin in your right hand and say: “You saw that I openly took this coin. I will make her return invisibly to her original place.”

Hold the left hand, make the 1st or 2nd reception with the right hand, moving it to the left, but without bringing the hands together. The marked coin will be hidden in the palm of the right hand.

Immediately then open your left hand and show a counterfeit coin, which the audience will assume is real.

There are many other substitutions; their number is even too great to describe them all in this book. If you are skilled at hiding coins in the palm of your hand and performing various tricks, then you yourself can invent ways of substitution.


Simple and spectacular tricks with money on video for you. Everyone dreams of wealth.
The more coins in the bosom, the warmer.

To have large sums in your bank account, you need to work, sparing neither your time nor your health.

And imagine, at least for a second, that money appears out of nowhere. For example, your friend pulls a coin out of your ear or a plain plain handkerchief. Isn't it a miracle? And you can do it, you just have to wish.

A little patience and diligence and you are able to manipulate these, all inviting, shiny pieces of iron.

And imagine, at the next cooperative you show? You will appear before your colleagues in a completely different role.
You will immediately win the favor of the employees, but what about the employees, the bosses will be pleasantly surprised.

Instead of boring drinking parties, song and dance contests, a real miracle will take place, where you are the most important sorcerer, magician and wizard.

The difference between tricks with coins and other illusory actions is the simplicity of their execution.

Tricks with various objects

To learn all these simple tricks, you should watch the training video, where the magician reveals his secrets to you to the smallest detail.

Our magic training is free, study the video that is posted on the site for you.

It is better to learn tricks in front of a mirror. And do everything on video. Don't miss any details.

It's better to shoot yourself. And look what came out of it.

Practice, learn tricks, you will also get high quality and no one will know about your secrets.

When you learn the secrets of several masters, you will be able to put all these instructions into practice, subtly manipulating the emotions of your loved ones and friends.

So, do you want to be a magician? Then this coin trick tutorial video is made just for you.

How often do parents puzzle over what to do with their child. For no one, no secret that computer games, so attracting the attention of a small creature, do not lead to anything good, to deterioration of vision, without any mental development, curvature of the spine, waste of time, obesity and isolation.

To prevent this, to avoid consequences in the future, you need to start doing something right now.

Various tricks always hide some simple secret.

In the video, we reveal all the tricks of magicians and magicians.

For a child, this is not just an amazing fantasy world, but an opportunity for real communication with their peers. Tricks for children with coins develop memory, thinking, ingenuity, fantasy.

Interest enough, you need to show a simple trick, as a result of which the question from the young genius will follow: "How"

And instead of an answer, you can show a training video in which he will find answers to his questions. Imagine how many guests you will have, and the young magician and wizard will attract many friends with his art, so important at a young age for the formation of a person.

Closure, unsociableness goes away, leadership qualities develop.

Sew your child a mantle, make a cap, a magic wand.

This is necessary so that he fully merged into the image. This will captivate him so much that in the future he will independently study new secrets of tricks, come up with his own ideas and surprise you. Focuses is a separate interesting, full of mysteries world.

Download the coin trick tutorial video for kids and enjoy some time for yourself. For a while, while your baby will learn the secrets, you can be calm.

Here are the easiest tricks with coins, there is a lot to learn and little secrets to learn.

Are you tired of being an ordinary office plankton, whose personality no one pays attention to? Tired of being a lonely bachelor? In the company of friends, on holidays, relatives invite you only because the rules of etiquette say so?

Being surrounded by unfamiliar people, are you afraid to utter even a word, because you think that they will not understand you? Stop living as a recluse!

Often tricks with coins are the most popular. Even children can make them. In any setting in any situation, 1-2 coins are enough for a focus.

No preparation required. No need to carry around huge props. You take out a coin from your wallet. And the focus is ready.

In general, the best collections with cunning tricks. Everything related to coins. There are coins with secrets. And there are ordinary ones - with them the most exciting and amazing tricks are obtained. Coins are not often used in their pure form. There are additional details. In a video about coin tricks and their secrets, it and other items are used.

You need to live a bright and rich life! We do not have much time to get excited about the processing of our old and no longer relevant complexes.

I suggest you become a new sociable person, without fear of speaking in public, causing smiles and enthusiastic looks. What I mean? I urge you to join the secret club of magicians.

Having mastered the secrets of even simple tricks. You will become popular. One of the most important things in life, whatever one may say, is money. Coin manipulation is in high demand.

Tricks with coins are simple and varied.

Each magician has his own 2 - 3 branded tricks, secrets that he will never reveal.

Try and come up with something of your own. First you need to learn the basics. It is not difficult to learn tricks with coins if earlier information was passed from mouth to mouth, through books, but now. Thanks to technology, learning simple tricks with coins, you can watch the video - instructions.

Knowing these secrets, you can see through any magician who uses coins and you can show any trick yourself on video.

You can download a training video, where the master shows in detail, to the smallest manipulations that are invisible to a simple layman, on the Internet. Everyone will find for himself what is closer to him. Find a teacher. Masters of this art, which he will understand.
Study, and soon you will notice how your life is changing for the better.

There is nothing easier than tricks with coins. The video has a free tutorial on these tricks.

Educational literature on this topic can be found in any bookstore, the shelves are simply littered with literature for every taste.

But why buy a printed edition, exhaust yourself by reading dry letters written in black and white and rack your brains in conjectures: “But how does this happen in reality?”

There are many videos showing coin tricks and their secrets for beginners. You can get trained by watching video materials, where the master will show by example what happens when you show the focus, how your hands should move. The video clearly explains the secrets of this art.

Tricks can be shown under any circumstances, they will be of interest to everyone, from young to old. To carry out such a simple maneuver as the appearance of a coin behind the ear, you need sleight of hand, a small coin, and a sense of humor.

If you are the father of a large family, and you often do not have time to communicate with all members of your family, then it is worth learning a couple of tricks to entertain your children and wife in the evenings. Laughter prolongs life, and laughter also helps to get closer and relax, to win over the interlocutor.

For all those close to you, you will appear in a new role. A new facet of your character will interest others, they will show you more attention.

You can learn the secrets of magicians for free. There are materials on the Internet that interest you. From the first minute of watching this video, you will no longer be able to tear yourself away, plunging more into the wonderful and wonderful world of magicians.

Secret after secret, and after 30 minutes of watching you feel yourself initiated into something mysterious, something sublime, you feel involved in a certain secret society.

No need to buy boring manuals for learning tricks with coins, everything is on our video with a detailed story of all the important details. Anyone will learn.

Good luck, let the coins come to you.



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